![]() ![]() After that, it’s a run at the Mad Decent Boat Party (which will move from Miami to the Bahamas) and then a couple shows in the Pacific Northwest. The guys will kick things off at the UIC Pavillion in Chicago on November 8. They just released a mini-documentary short during their 2013 “IRL” tour (which you can watch below) and also revealed the dates for their upcoming “#HDYNation tour,” as well as a few details on the type of show fans can expect. ![]() $25 advance/$30 day of show like 4.Dynamic DJ duo Flosstradamus are working hard to create a name for themselves as a live act, an oddity in the EM world. WHO: Flosstradamus plus GTA and Curtis Williams with Two-9 “We’re not releasing music on a CD, per se, but doing it a way that no one else has.” “I think our fans are all about absorbing the music the way that we absorb it, too,” Cameruci says. So far, Flosstradamus has made its collections available through a torrent (a computer file that stores metadata), a call-in hotline and the first smokable mixtape - a vaporizer pen with a 4GB hard drive. Instead, SoundCloud, YouTube, Spotify and Pandora on a phone or similar device are far more prevalent among the duo’s listeners, which in turn affects how their own creations are shared. Cameruci feels that particular medium is dead. Whenever an official album is released, odds are good that it won’t be on CD. Just like everything else that we do with Floss, it has to be curated by us to have that good flow to it. He adds, “The last thing we want is for to be a hodgepodge of singles that we just threw haphazardly together. ![]() “I love sitting down and listening to someone, even if it’s just 30 or 40 minutes of whatever: this is how they wanted it to be heard, this is the sequence they wanted it to be heard.” “I just love listening to albums in general, like, not even Flosstradamus-related, just as a fan of music,” Young says. Still, the prospect of having a full-length record has been making its way to the front of his mind. “It’s kind of cool to get back to that more instantaneous, more spontaneous and collaborative production style as opposed to Curt making a beat and sending it to me, or me making a beat and sending it to him.”īoth approaches have resulted in a number of singles released online a la carte, which Young says gives them a lot of creative freedom. It was all four of us sitting in the same room just collaborating in real time,” Young says. “We just finished a new tune with GTA on the bus. Being on the road 200-250 days a year, however, provides plenty of face time, and they’ve recently been using those opportunities for more in-person collaborations. “We’ve definitely made it a big point to try to do something a little bit different and a little bit more three-dimensional,” Young says.Īs for making the music, Young still lives in Chicago, but with Cameruci now calling New York City home, the two rely on the Internet to work together. Rounding out their stage presence is an emphasis on physical props as opposed to mere LED screens, which Young feels have become ubiquitous to a fault in the electronic dance music world. We were like, ‘We want to jump around and actually get into the music without the risk of anything skipping and messing up.’” ![]() “We felt like that took away a little bit from the connection when you’re actually sitting there, like, mixing out. “We wanted to make the performance more about actually getting energized onstage than to be looking like you were just DJing,” Young says. That preference improves both the quality and complexity of the music (Cameruci likens it to having “infinite turntables”) and the duo’s interaction with the audience. Key to that reputation is the duo’s use of the all-digital music software Ableton as opposed to physical media-based CDJs. 19, at The Orange Peel, the latest in a legacy of live-wire shows. “We take Southern hip-hop music and dance music and fuse them together.”įlosstradamus makes its Asheville debut on Friday, Dec. “We’re still doing what we were doing back there, just on a grander scale,” Cameruci says. In the subsequent decade, the two have learned to produce and, with the help of intricately planned lighting and set design, expanded their shows to fit massive festival crowds at Coachella and Lollapalooza, but in their evolution they’ve been true to the mentality of their humble roots. Armed with four turntables and two mixers, they packed out a tiny Grateful Dead bar in the Boystown neighborhood of Chicago with genre-blending, mash-up heavy sets. Back in the day - 2005, to be precise - Josh “J2K” Young and Curt “Autobot” Cameruci began DJing parties under the name Flosstradamus. ![]()
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